Nate Dickson Thinks...

Small Thoughts for a Quiet World.

I've been thinking about some of the vocabulary differences between UK and US English. This is one of those little things my mind does when I'm bored and stuck somewhere where I can't do something more useful. So I decided to settle, for myself, which version of each term makes more sense. For myself.

I'm treating this as a descriptive rather than a proscriptive exercise. I think people should use the language in a way that fits what they are trying to say and to whom they are trying to say it. I don't hold that there is any one “right” way to speak English. If you disagree with me, great! I'm delighted to know that other people are thinking about this as well.

Anyway, here are the words and my opinions.

Torch vs. Flashlight: 🇬🇧

The British term has history and makes sense: a torch is a portable device used to see in the dark. I don't think the “fire” vs. “bulb” difference matters in this case. I like the term “torch” better. It's shorter, has history, and is fun to say.

Boot vs. Trunk: 🇺🇸

I'm not entirely clear on where “boot” came from, but I do understand the origin of “trunk”: older cars had a literal “trunk” lashed to the back. So the US version wins it for me.

Bonnet vs. Hood: 🟰

These are synonyms. I see no reason to favor one over the other.

Car Park vs. Parking Lot: 🟰

Again, these both make sense (and this is the last automotive pair, I promise.) “Car Park” as the place where you park cars is perfectly reasonable. “Parking Lot” as in a designated lot where you park also makes sense to me.

Maths vs. Math: 🇬🇧

Since the word is short for “mathematics” and you can't have a noun “mathematic” the UK version is more reasonable.

Sport vs. Sports: 🇺🇸

In this case I have to take the American side. The noun as a subject in school is an aggregate noun used to describe any class or activity that is practicing or competing in any or all of the various sports that the school offers. But I don't have a strong feeling on this one. It's pretty close and I honestly don't care.

Gray vs. Grey: ❓

I can never remember which one is supposed to be more British or more American, and I don't care. They are pronounced the same, mean the exact same thing, and I'm willing to bet that you could find references to both existing before America existed.

I feel like this is a false dichotomy, like people insisting that “Heracles” is Greek while “Hercules” is Roman. They are both Greek; “Hercules” was just the Western Greek version that was heard by Romans. You really think there was only one pronunciation of any word in the ancient, seafaring, it-takes-years-or-decades-to-cross-the-Mediterranean Greek days, when we have this many disparities in modern everyone-has-the-internet English?

Chips vs. French Fries: 🇬🇧

My understanding of the term “French Fries” is that the first ones in the states were potatoes that were “French cut” and then fried. “French Cut”, I think, is now what we call “Julienne cut”, and thus only describes one shape of fried potato, which ironically we now call “shoestring” fries. “Chips” is a much better name for the overall class of fried potato products.

Crisps vs. Chips: 🇬🇧

This feels un-American to me, but a chip is generally a thick slice of something, not a tiny little flat slice. Crisps is a better term.

Electric Fire vs Space Heater: 🇺🇸

In direct contradiction to my opinion on “torch” vs. “Flashlight” I have to give this one to the American version, simply because an “Electric Fire” is an emergency situation and I don't want there to be any confusion. Saying “there is an electric fire in the front room” should be an entirely unambiguous message. The American version is less poetic, I'll grant you, but it's also less worrisome.

Thoughts? Tell me about them!
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I love Hamlet. This is not a controversial statement, really. “I have a fondness for one of the greatest works of literature in the English language.” is not a hot take. The reason this is noteworthy is because in general I hate drama in my media. I watch movies or TV shows as a form of escapism, not catharsis. When there is conflict on screen I feel it and I don't like it. So why do I like Hamlet?

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The other day I decided to take a walk. It was raining a bit, so I wore my trench coat, and figured that a little rain wasn't going to melt me. I had a destination in mind, roughly two miles from my house. I set out, listening to a podcast, enjoying the freedom of just moving, just walking to walk.

After about half a mile the rain turned to snow. No big deal. Another few minutes and it was heavy snow. “Okay,” I thought, “I can cope.” by the time I was a mile from home, the wind picked up, driving the snow into my face and freezing my hands. “Now this is a big deal,” I thought. “I should probably turn back.”

But why? I was over halfway to my destination, and while there was nothing really driving me to reach my destination, I didn't really feel like turning back. So without fully understanding why, I kept going.

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Some years ago I read a post by a woman that went something like this:

I did an experiment: as a woman, I watched to see how men acted when I was walking and they were on a course that would collide with me. I decided to see if they would just keep walking and run into me. And they did. Every. Single. Time.*

My first, shameful thought was the typical kneejerk reaction. “That's not true!” (I feel like there's a hashtag for this reaction, something about a condition applying to less than the totality of males?) But after a split second of reflection I had to admit that yeah, this woman's reaction was almost certainly true and honestly reported. Which led to:

Uncomfortable Question #1: Do I act like that? Do I expect others to make way for me by default?

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I've made no secret of my love of twenty øne piløts. (The slashed “o” is fun, økay?) I like just about everything about them, both musically and the personae they present outside of their music. Maybe I'll write about that aspect of the band at some point, but not right now. What I want to discuss at the moment is a thread I've felt running through their music, and I recently realized that the sense that is resonating with me is the Stoicism of the lyrics.

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There's an old and slightly snarky saying:

The only reason anyone reads (Insert title here) is to tell people they are reading (insert title here).

The titles in question are generally from this list:

  • Infinite Jest (David Foster Wallace)
  • War and Peace (Leo Tolstoy)
  • Ulysses (James Joyce)
  • The Iliad, Odyssey and/or Aeneid (Homer, Homer, Virgil)
  • The Analects of Confucius
  • The Meditations of Marcus Aurelius

And it's funny for a moment, and then just a little bit sad that we feel the need to criticize people for trying to learn from the past. Snark is getting old.

The point I'm trying to make is that I've held off on writing this post for a long time, specifically because I kind of fear that kind of ridicule. Which is, itself, ridiculous.

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I love this quote:

Before you speak, let your words pass through three gates: Is it true? Is it necessary? Is it kind? -Rumi

And these three gates provide a lot of guidance. I've thought about these gates a lot. I think they provide solid guidance for almost any form of communication, other than just shooting the breeze or making up stories together.

Lately I've found two more gates that are useful for times where I feel like I might want to offer someone advice. One of these is based on a quote I saw on Twitter back in the day:

Advice unasked-for is criticism. Period.

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1994: I'm in a high school English class, and we're doing a little mock debate thing where we discuss...something. It's been thirty years and I don't really remember the topic at hand. But in my zeal to make my point about...whatever it was, I told one of my classmates “no, shut up...” and talked over her.

2008: I'm having a bad day. I'm at work and a friend of mine tells me that he just tried something new technologically. Since I'm having a bad day I vehemently explain why I think what he tried was a bad idea.

There are a few similarities between these two events.

  1. I acted badly in both of them.
  2. I insisted on my point of view being acknowledged as “right”,
  3. Whenever I thought about either of these events I felt terrible. For years.
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Hey! Someone used my Ko-Fi link! I have offered to write about a topic of your choice if you drop me a few bucks, and someone took me up on it! So here's the post:

Dallas asks:

What's your favorite mythological creature?

This is a fun question, for a couple of reasons. First off, I have been big into Greek and Roman mythology recently. And the vague nature of the question gives me a certain latitude, moreso even than the vague nature of Greek mythology as concerns what constitutes a “creature”. For example, Bellerophon, the great hero who rode Pegasus while fighting and defeating Chimera, is a child of Poseidon. What makes this interesting is that Pegasus is also a child of Poseidon. So...Bellerophon rode his half-brother into battle, I guess? The Ancient Greek myths all seem to be fine with this.

So there's a lot of latitude. I could choose a god, or a non-humanoid, or possibly even a nymph or chthonic being. I'm going to interpret “creature” to mean “not a mortal human”. And I could wander into Norse myths or other mythologies, but I'm not nearly as familiar with the other sets of mythological beings...other than the ones most frequently met in D&D. So I'm going to limit my choices to non-mortal, non-humanoid beings from Greco-Roman mythology...and maybe a little D&D. Pegasus is a contender, but not Bellerophon.

So I'll pick one Greco-Roman creature, and one from the modern mythos that is overseen by the fearsome wizards that live on the coast.

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The 1970's were a very odd time for movies. The price of creating a movie had come down enough that independent film makers were able to get into the craft. Combine that with the strong sci-fi and dystopian themes that were in vogue at the time, and we get some really odd movies from this really odd time. Movies like Logan's Run and Death Race 2000. One of those weird, 1970's sci-fi movies I've always heard about, but never seen, is Zardoz. I've seen stills from it, I knew it featured Sean Connery in a red loincloth and weird sideburns, I figured I had a pretty good gauge on what it was all about.

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